Layar Liminal: Eksplorasi Materialitas Objek Real dan Virtual pada Arsitektur Bioskop

Almatin, Nabil (2024) Layar Liminal: Eksplorasi Materialitas Objek Real dan Virtual pada Arsitektur Bioskop. Masters thesis, Institut Teknologi Sepuluh Nopember.

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Abstract

Perkembangan teknologi pada arsitektur mempengaruhi aspek materialitas antara manusia dan materi di sekitarnya, hingga menghasilkan interaksi antara objek nyata dan virtual. Bioskop sebagai salah satu bangunan hiburan menghadirkan interaksi antar keduanya melalui integrasi antara kualitas ruang menonton (real) dan film (virtual) dalam menciptakan pengalaman menonton yang lebih imersif. Pada konteks saat ini desain gedung bioskop yang telah ada masih memisahkan batas interaksi real dan virtual melalui layar. Kondisi tersebut menjadi permasalahan rancang terkait kesenjangan teoritis dan inovasi materialitas pada bioskop yang belum terdefinisikan dengan baik. Tesis perancangan ini bertujuan mengeksplorasi batas antara komponen real dan virtual dalam mengidentifikasi susunan materialitas pada bioskop.
Proses perancangan menggunakan kerangka kerja berbasis konsep, dengan pendekatan experiential terhadap pengalaman pengguna bioskop. Metode perancangan yang digunakan metode riset berupa literature review, studi preseden, observasi, dan interview. Metode desain yang digunakan adalah metode parametrik, dengan teknik operatif quad dan nest oleh representasi diagram. Proses eksplorasi melalui riset dan desain ini mengidentifikasikan kriteria dan perubahan susunan elemen bioskop berdasarkan pengaruh basis konsep pada tapak, bangunan, dan detail bioskop.
Hasil dari perancangan ini adalah rancangan bioskop multipleks yang menerapkan gagasan besar berupa liminal screen. Liminal screen merupakan adaptasi layar interaktif di antara realitas nyata dan virtual dalam bentuk batas arsitektur. Liminal screen menciptakan suasana ruang yang lebih dinamis sesuai suasana film yang diputar. Bioskop tersebut terdiri dari empat studio, dengan transformasi elemen arsitektur berupa wujud layar berbidang lengkung/setengah sirkular. Konsep liminal screen mempengaruhi susunan studio menjadi saling bersebrangan antara satu sama lain. Eksplorasi batas teater bioskop mengevaluasi penyelesaian materialitas antara objek real dan virtual dengan menempatkan bidang layar fleksibel pada zona pengalaman dan selubung bioskop.
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Technological developments in architecture make the relationship between humans and surrounding materials adapt to the digital world, resulting in novelty through the interaction of real and virtual objects. As one of the entertainment buildings, the cinema presents the interaction between real and virtual objects by integrating the quality of audience (real) and movie (virtual) elements to create a more immersive viewing experience. In this context, the existing cinema building design still separates the boundaries of real and virtual interaction through the screen. This condition becomes a design problem related to the theoretical gap and materiality innovation in cinema that has not been well defined. This design thesis aims to discover cinema innovation through exploring the boundary between real and virtual components in identifying the arrangement of materiality in cinema.
The design process uses a concept-based framework, with an experiential approach to the experience of cinema users. The design method used is research method in the form of literature review, precedent study, observation, and interview. The creative method used is parametric, through a brainstorming process with nest and quad techniques by diagram representation. The exploration process through research and design identifies criteria and changes in the arrangement of cinema elements based on the influence of the concept based on the site, building, and cinema details.
The result of this design is a multiplex cinema design that applies the big idea of liminal screen. Liminal screen is an interactive screen adaptation between real and virtual reality in the form of architectural boundaries. Liminal screen creates a more dynamic space atmosphere according to the atmosphere of the movie being played. The cinema consists of four studios, with the transformation of architectural elements in the form of a curved/semi-circular screen. The liminal screen concept affects the arrangement of the studios to be opposite each other. The exploration of the boundaries of the cinema theater evaluates the completion of materiality between real and virtual objects by placing flexible screen planes on the cinema’s experience zone and envolope.

Item Type:	Thesis (Masters)
Uncontrolled Keywords:	Cinema, Experience, Interaction, Materiality, Real and Virtual Object, Interaksi, Materialitas, Pengalaman, Sinema, Objek Real dan Virtual.
Subjects:	N Fine Arts > NA Architecture > NA2750 Architectural design.
Divisions:	Faculty of Civil, Planning, and Geo Engineering (CIVPLAN) > Architecture > 23101-(S2) Master Thesis
Depositing User:	Nabil Almatin
Date Deposited:	10 Aug 2024 07:19
Last Modified:	10 Aug 2024 07:19
URI:	http://repository.its.ac.id/id/eprint/115045

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