Telepresence in Digital Placemaking: Perancangan Museum sebagai Ruang Narasi Reintegrasi Sosial

Prameswari, Sandra Arivia (2025) Telepresence in Digital Placemaking: Perancangan Museum sebagai Ruang Narasi Reintegrasi Sosial. Masters thesis, Institut Teknologi Sepuluh Nopember.

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Abstract

Digital placemaking saat ini muncul sebagai intervensi teknologi digital dalam proses placemaking. Hal tersebut mempengaruhi pembentukan “sense of place” yang berkaitan dengan identitas, keterikatan, dan memori terhadap tempat, baik secara fisik maupun virtual. Komunikasi dapat dilakukan secara telepresence, namun hal tersebut dapat menyebabkan seseorang terputus dari hubungan nyata, padahal komunitas virtual seharusnya mampu membangkitkan membangkitkan sense of place, sejarah, dan interaksi sosial pada suatu tempat fisik. Permasalahan teori ini diposisikan terhadap konteks isolasi sosial pada mantan narapidana yang memerlukan dukungan masyarakat dalam proses reintegrasi sosial. Narasi yang mendukung proses tersebut dihadirkan melalui interaksi antara mantan narapidana (storyteller) dan masyarakat (user) secara telepresence namun user dapat memahami cerita dengan baik melalui interactive experience dengan teknologi digital. Interactive experiences terbentuk melalui multisensori dan kemudian menghasilkan persepsi terhadap suatu tempat. Museum dipilih sebagai tipologi yang mampu menghadirkan narasi tersebut secara edukatif dan dapat menjangkau masyarakat luas. Proses perancangan museum ini menerapkan concept-based framework. Pembentukan persepsi yang mendukung reintegrasi sosial dihadirkan melalui pendekatan arsitektur naratif yang diintegrasikan dengan teknologi digital dan elemen multisensori. Narasi dihadirkan dengan elemen perancangan yang mengutamakan sensori visual dan didukung oleh audio untuk mewujudkan interaksi antara user dengan digital technology. Telepresence dalam digital placemaking ini bertujuan membangkitkan sense of place untuk mendukung reintegrasi sosial dalam tipologi museum dengan teknologi proyeksi gambar dan layar interaktif dalam ruang yang dikolaborasikan dengan pengaturan elemen utama berupa dinding, material, dan pencahayaannya. Dinding diintegrasikan dengan media proyeksi teknologi digital, material merepresentasikan transisi penjara pada masa lalu hingga masa kini, sedangkan pencahayaan diatur terpusat atau menyebar sesuai dengan konsep privacy dan sense of belonging.
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Digital placemaking has recently emerged as a form of digital technology intervention in the placemaking process. It influences the formation of a “sense of place,” which relates to identity, attachment, and memory of a place, both physically and virtually. Communication may occur through telepresence; however, it can lead to disconnection from real-world relationships. Ideally, virtual communities should be able to evoke a sense of place, history, and social interaction within a physical environment.
This theoretical problem is positioned in the context of social isolation experienced by former prisoners, who require community support in the process of social reintegration. A narrative that supports this process is presented through interaction between former prisoners (storytellers) and the public (users) via telepresence, where users are able to grasp the stories effectively through interactive experiences with digital technology. These interactive experiences are formed through multisensory engagement, which in turn generates perception of a place. The museum is chosen as a typology capable of delivering such narratives in an educational format and reaching a broader audience. he design process of the museum adopts a concept-based framework. The perception that supports social reintegration is presented through a narrative architectural approach integrated with digital technology and multisensory elements. The narrative is delivered through design elements that prioritize visual sensories, supported by audio, to enable interaction between users and digital technology. Telepresence in digital placemaking aims to evoke a sense of place to support social reintegration through the museum typology, using projected images and interactive screens within spaces integrated with the arrangement of key architectural elements such as walls, materials, and lighting. The walls are integrated with digital projection media, the materials represent the transition of the prison from past to present, while the lighting is arranged either centrally or diffusely in accordance with the concepts of privacy and sense of belonging.

Item Type:	Thesis (Masters)
Uncontrolled Keywords:	digital placemaking, interactive experiences, multisensori, sense of place, telepresence, multisensory
Subjects:	N Fine Arts > NA Architecture > NA2750 Architectural design.
Divisions:	Faculty of Civil, Planning, and Geo Engineering (CIVPLAN) > Architecture > 23101-(S2) Master Thesis
Depositing User:	Sandra Arivia Prameswari
Date Deposited:	04 Aug 2025 06:33
Last Modified:	04 Aug 2025 06:33
URI:	http://repository.its.ac.id/id/eprint/126507

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