In-Between Cultures: Concert Venue as Hybrid Space of Cultural Negotiation Through Semiotics

Syaharani, Nadia Salwa (2026) In-Between Cultures: Concert Venue as Hybrid Space of Cultural Negotiation Through Semiotics. Other thesis, Institut Teknologi Sepuluh Nopember.

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Abstract

Arsitektur di Indonesia selalu berkaitan dengan representasi identitas, relasi kuasa, dan pengaruh budaya luar. Dalam konteks kontemporer, Hallyu berkembang sebagai arus budaya populer transnasional dengan visibilitas kuat melalui media, konsumsi, dan aktivitas fandom di Indonesia. Permasalahan arsitekturalnya bukan terletak pada penerimaan Hallyu, melainkan pada respons desain yang berhenti pada penggunaan tanda visual Korea secara langsung sehingga identitas budaya berisiko direduksi menjadi citra tematik. Perancangan ini memilih tipologi gedung konser untuk mewadahi konser, fan meeting, fan gathering, dan aktivitas komunitas penggemar, sekaligus mengeksplorasi negosiasi arsitektur Indonesia–Korea. Proses perancangan menggunakan Force-Based Framework untuk mengidentifikasi pengaruh budaya, konteks, pengguna, serta kebutuhan teknis gedung konser. Semiotika digunakan untuk membaca bentuk, makna, fungsi, dan konteks sumber arsitektur Nusantara dan Korea, sedangkan operative design digunakan untuk mentransformasikan prinsip terpilih melalui perubahan skala, susunan, orientasi, dan hubungan antarelemen. Hibriditas diposisikan sebagai proses yang mengembangkan pengulangan budaya menuju perubahan makna dan hubungan arsitektural baru. Hasil perancangan menunjukkan bahwa negosiasi budaya diwujudkan melalui pemisahan hierarki dan sirkulasi pengguna, transformasi organisasi linear Nusantara dan keterpusatan Palgakjeong menjadi massa radial, pengembangan prinsip atap dan struktur Nusantara bersama modularitas hanok menjadi sistem bentang lebar kontemporer, serta rekomposisi pola Kawung dan Wanjasal sebagai artikulasi visual fasad. Dengan demikian, pengaruh Hallyu diterjemahkan melalui transformasi arsitektural yang kontekstual, bukan melalui peniruan visual langsung.
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Architecture in Indonesia has always been connected to the representation of identity, power relations, and foreign cultural influence. In the contemporary context, Hallyu has developed as a transnational flow of popular culture with strong visibility in Indonesia through media, consumption, and fandom activities. The architectural problem does not lie in the public acceptance of Hallyu, but in design responses that stop at the direct use of Korean visual signs, which may reduce cultural identity to thematic images. This project proposes a concert venue to accommodate concerts, fan meetings, fan gatherings, and other fandom-based activities, while exploring the negotiation between Indonesian and Korean architectural references. The design process uses a Force-Based Framework to identify cultural influence, context, users, and the technical requirements of the concert venue. Semiotics is used to examine the forms, meanings, functions, and contexts of selected Nusantara and Korean architectural references, while operative design is used to transform the selected principles through changes in scale, arrangement, orientation, and relationships between elements. Hybridity is positioned as a process that develops cultural repetition into new meanings and architectural relationships. The design results show that cultural negotiation is expressed through the separation of user hierarchies and circulation, the transformation of Nusantara linear organization and Palgakjeong centrality into a radial massing system, the development of Nusantara roof and structural principles together with hanok modularity into a contemporary large-span structure, and the recomposition of Kawung and Wanjasal patterns as visual facade articulation. Therefore, Hallyu-related cultural influence is translated through contextual architectural transformation rather than direct visual imitation.

Item Type:	Thesis (Other)
Uncontrolled Keywords:	Gedung Konser, Hallyu, Arsitektur Hibrid, Arsitektur Nusantara, Arsitektur Korea, Semiotika, Concert Venue, Hallyu, Hybrid Architecture, Nusantara Architecture, Korean Architecture, Semiotics
Subjects:	N Fine Arts > NA Architecture > NA2750 Architectural design.
Divisions:	Faculty of Civil, Planning, and Geo Engineering (CIVPLAN) > Architecture > 23201-(S1) Undergraduate Thesis
Depositing User:	Nadia Salwa Syaharani
Date Deposited:	03 Aug 2026 03:06
Last Modified:	03 Aug 2026 03:27
URI:	http://repository.its.ac.id/id/eprint/141955

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