Rabbani, Radian Zaki (2016) Hunian. Rumah Betang (Agregasi Budaya. Alkimia Arsitektur Dayak Demi Fundamentalisme Arsitektur Nusantara.). Undergraduate thesis, Institut Teknologi Sepuluh Nopember Surabaya.
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Abstract
Perang. Perang dunia satu dan dua telah memberikan berbagai macam efek
negatif ke seluruh penjuru dunia dalam berbagai aspek. Salah satu aspeknya adalah
budaya, dimana budaya luar yang baru memaksa masuk dan menggantikan budayabudaya
yang sudah ada, seperti yang telah diungkapkan oleh Rem koolhaas “in 1914,
it made sense to talk about a „chinese‟ architecture, a „swiss‟ architecture, an „indian‟
architecture. one hundred years later, under the influence of wars, diverse political
regimes, different states of development, national and international architectural
movements, individual talents, friendships, random personal trajectories and
technological developments, architectures that were once specific and local have
become interchangeable and global. national identity has seemingly been sacrificed to
modernity”. Sama halnya dengan Indonesia, arsitektur nusantara telah dikorbankan
demi komodernan.
Lantas apakah seorang arsitek hanya akan tinggal diam melihat kasus ini?
Untuk menangani kasus ini maka sudah tentu diperlukan sebuah upaya arsitektur
untuk meresponnya. Sebuah percobaan melalui angan-angan “akan seperti apa
arsitektur nusantara (rumah betang) jika perang dunia satu dan dua tidak pernah
terjadi?”, “akan seperti apa arsitektur nusantara (rumah betang) jika budaya luar
masuk dan ditanggapi dengan pemikiran kritis?”. Objek rancangan ini selain
bertujuan untuk memvisualisasikan arsiektur nusantara (rumah betang) sekaligus juga
untuk mengembalikan identitas nasional dan fundamentalisme arsitektur nusantara,
karena sejatinya kehilangan identitas nasional merupakan kekalahan terbesar yang
dapat dialami oleh sebuah Negara.
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War. World war one and two have provided a wide range of negative effects
to the rest of the world in many aspects. One of them is culture, where new cultures
force to enter and replaces the existing culture, as stated by Rem Koolhaas “in 1914, it
made sense to talk about a „chinese‟ architecture, a „swiss‟ architecture, an „indian‟
architecture. one hundred years later, under the influence of wars, diverse political
regimes, different states of development, national and international architectural
movements, individual talents, friendships, random personal trajectories and
technological developments, architectures that were once specific and local have
become interchangeable and global. national identity has seemingly been sacrificed to
modernity”. Similar to Indonesia, Nusantara architecture has been sacrificed for the
sake of modernity.
Should an architect remain silent about this case? To handle this issue it is
certainly necessary an architectural intervention is needed to solve this problem. An
experiment through wishful thinking “What would Nusantara architecture (betang
house) be if world war one and two had never happened?”, “What will Indonesian
architecture (betang house) be if the incoming foreign culture is responded with
critical thinking?”. The output of this project, beside aiming to visualize Nusantara
architecture, is also to restore the national identity and the fundamentalism of
Nusantara architecture, because The loss of national identity is the greatest defeat a
nation can know.
| Item Type: | Thesis (Undergraduate) |
|---|---|
| Additional Information: | RSA 720.959 83 Rab h |
| Uncontrolled Keywords: | Perang, Budaya, Identitas Nasional, Arsitektur Nusantara, rumah betang |
| Subjects: | N Fine Arts > NA Architecture > NA7115 Domestic architecture. Houses. Dwellings |
| Divisions: | Faculty of Architecture, Design, and Planning > Architecture > 23201-(S1) Undergraduate Thesis |
| Depositing User: | EKO BUDI RAHARJO |
| Date Deposited: | 09 Dec 2019 06:19 |
| Last Modified: | 09 Dec 2019 06:19 |
| URI: | http://repository.its.ac.id/id/eprint/72301 |
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