Hunian. Rumah Betang (Agregasi Budaya. Alkimia Arsitektur Dayak Demi Fundamentalisme Arsitektur Nusantara.)

Rabbani, Radian Zaki (2016) Hunian. Rumah Betang (Agregasi Budaya. Alkimia Arsitektur Dayak Demi Fundamentalisme Arsitektur Nusantara.). Undergraduate thesis, Institut Teknologi Sepuluh Nopember Surabaya.

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Abstract

Perang. Perang dunia satu dan dua telah memberikan berbagai macam efek negatif ke seluruh penjuru dunia dalam berbagai aspek. Salah satu aspeknya adalah budaya, dimana budaya luar yang baru memaksa masuk dan menggantikan budayabudaya yang sudah ada, seperti yang telah diungkapkan oleh Rem koolhaas “in 1914, it made sense to talk about a „chinese‟ architecture, a „swiss‟ architecture, an „indian‟ architecture. one hundred years later, under the influence of wars, diverse political regimes, different states of development, national and international architectural movements, individual talents, friendships, random personal trajectories and technological developments, architectures that were once specific and local have become interchangeable and global. national identity has seemingly been sacrificed to modernity”. Sama halnya dengan Indonesia, arsitektur nusantara telah dikorbankan demi komodernan. Lantas apakah seorang arsitek hanya akan tinggal diam melihat kasus ini? Untuk menangani kasus ini maka sudah tentu diperlukan sebuah upaya arsitektur untuk meresponnya. Sebuah percobaan melalui angan-angan “akan seperti apa arsitektur nusantara (rumah betang) jika perang dunia satu dan dua tidak pernah terjadi?”, “akan seperti apa arsitektur nusantara (rumah betang) jika budaya luar masuk dan ditanggapi dengan pemikiran kritis?”. Objek rancangan ini selain bertujuan untuk memvisualisasikan arsiektur nusantara (rumah betang) sekaligus juga untuk mengembalikan identitas nasional dan fundamentalisme arsitektur nusantara, karena sejatinya kehilangan identitas nasional merupakan kekalahan terbesar yang dapat dialami oleh sebuah Negara. =========================================================== War. World war one and two have provided a wide range of negative effects to the rest of the world in many aspects. One of them is culture, where new cultures force to enter and replaces the existing culture, as stated by Rem Koolhaas “in 1914, it made sense to talk about a „chinese‟ architecture, a „swiss‟ architecture, an „indian‟ architecture. one hundred years later, under the influence of wars, diverse political regimes, different states of development, national and international architectural movements, individual talents, friendships, random personal trajectories and technological developments, architectures that were once specific and local have become interchangeable and global. national identity has seemingly been sacrificed to modernity”. Similar to Indonesia, Nusantara architecture has been sacrificed for the sake of modernity. Should an architect remain silent about this case? To handle this issue it is certainly necessary an architectural intervention is needed to solve this problem. An experiment through wishful thinking “What would Nusantara architecture (betang house) be if world war one and two had never happened?”, “What will Indonesian architecture (betang house) be if the incoming foreign culture is responded with critical thinking?”. The output of this project, beside aiming to visualize Nusantara architecture, is also to restore the national identity and the fundamentalism of Nusantara architecture, because The loss of national identity is the greatest defeat a nation can know.

Item Type: Thesis (Undergraduate)
Additional Information: RSA 720.959 83 Rab h
Uncontrolled Keywords: Perang, Budaya, Identitas Nasional, Arsitektur Nusantara, rumah betang
Subjects: N Fine Arts > NA Architecture > NA7115 Domestic architecture. Houses. Dwellings
Divisions: Faculty of Architecture, Design, and Planning > Architecture > 23201-(S1) Undergraduate Thesis
Depositing User: EKO BUDI RAHARJO
Date Deposited: 09 Dec 2019 06:19
Last Modified: 09 Dec 2019 06:19
URI: https://repository.its.ac.id/id/eprint/72301

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