Septi, Triana (2016) Defamiliarization Of Tradition: Museum Tambang Pasir Sungai Brantas. Undergraduate thesis, Institut Teknologi Sepuluh Nopember.
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Abstract
Kegiatan penambangan pasir tradisional di sekitar daerah aliran sungai
Brantas semakin jarang ditemukan, karena telah tergantikan oleh teknologi
penambangan pasir modern dengan menggunakan mesin penyedot pasir. Namun hal
ini menimbulkan beberapa permasalahan seperti kesenjangan ekonomi dan sosial
antara masyarakat penambang pasir, hingga hilangnya karakteristik kawasan sekitar
Sungai Brantas. Oleh karena itu kegiatan penambangan pasir tradisional yang sempat
ditinggalkan, kini kembali dihidupkan.
Melalui pendekatan Regionalisme Kritis, respon arsitektural yang diusulkan
adalah sebuah fasilitas berupa museum yang mampu merepresentasikan kehidupan
masyarakat penambang pasir tradisional. Sebuah tradisi penambangan pasir yang
telah dikenal akrab oleh masyarakat sekitar akan diperkenalkan kembali dalam wujud
yang baru dan berbeda. Obyek rancang museum ini bertujuan untuk mengingatkan
kembali tentang tradisi tersebut, sekaligus mengedukasi masyarakat luas tentang
teknik penambangan pasir yang berwawasan lingkungan. Obyek rancang ini
diharapkan juga dapat membentuk sebuah identitas baru bagi kawasan di sekitar
aliran Sungai Brantas yang memiliki keterikatan sejarah dengan kota Kediri.
Konsep utama Defamiliarisasi Tradisi ini mencoba untuk menghadirkan
kualitas arsitektur yang memiliki identitas, dinamis dan mengacu ke depan. Konsep
ini diwujudkan dengan metoda Precedent dari buku Basic Design Methods, Kari
Jormakka. Preseden yang digunakan adalah “proses penambangan pasir tradisional”
yang telah dikenal oleh masyarakat penambang pasir.
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The tradition of sand mining in Sungai Brantas has been replaced with the
modern one by using mechanical tools. It causes some issues such as enviromental
damages, economic and social gap between the traditional and modern sand mining
communities, and loss of regional characteristics in the area of Sungai Brantas.
Therefore, the sand mining activities in Sungai Brantas is reinstated by using the
traditional method.
Through critical regionalism approach, the architecural object that has been
proposed to respond this issue is a museum. This museum must be able to represent
the life of traditional sand mining community. It will reintroduce the traditional sand
mining method in a new and different from. This museum aims to remind people
about sand mining tradition, as well as educate them about the enviromentally safesand
mining techniques. It is also expected to create a new identity in the area of
Sungai Brantas, which has a historical attachment with the region of Kediri.
The main concept, Defamiliarization of Tradition tries to bring the qualities of
architecture contains identity, a dinamycs, and forward-looking concept. This concept
is embodied with a design method called Precedent according to the book, Basic
Design Methods written by Kari Jormakka. The precedent that is used in this methods
is “the process of traditional sand mining” which has been recognized by sand mining
community in Sungai Brantas.
| Item Type: | Thesis (Undergraduate) |
|---|---|
| Additional Information: | RSA 727.8 Tri d |
| Uncontrolled Keywords: | defamiliarisasi, identitas, museum, regionalisme kritis, tambang pasir |
| Subjects: | N Fine Arts > NA Architecture > NA6600 Education buildings |
| Divisions: | Faculty of Architecture, Design, and Planning > Architecture > 23201-(S1) Undergraduate Thesis |
| Depositing User: | EKO BUDI RAHARJO |
| Date Deposited: | 22 Oct 2019 05:16 |
| Last Modified: | 22 Oct 2019 05:16 |
| URI: | http://repository.its.ac.id/id/eprint/71344 |
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