Subagyo, Julia Intan Pusphita (2020) Perancagan Desain Mural Cerita Pewayangan Hanoman Obong untuk World Puppet Festival 2020. Other thesis, Institut Teknologi Sepuluh Nopember.
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Abstract
April 2020, Indonesia menjadi tuan rumah 23rd UNIMA Congress World Puppet Festival yang dilaksanakan di Gianyar, Bali. Indonesia menampilkan keragaman pewayangan Indonesia dalam festival, salah satunya Wayang Golek. Lakon Gugurnya Dasamuka dan Hanoman Obong merupakan lakon pewayangan dengan salah satu sudut pandang dari kisah Ramayana yang jarang diangkat. Tuan rumah membutuhkan media kontemporer dalam rangkaian acara untuk mengenalkan keragaman pewayangan Indonesia kepada pengunjung dengan interaktif. Perancang melihat potensi media untuk mengenalkan Hanoman Obong kepada pengujung festival. Dalam perancangan ini, informasi yang menjadi bahan pertimbangan dalam menentukan strategi perancangan digali melalui metode penelitian kualitatif. Metode kualitatif yang dilakukan diantaranya observasi replika relief Candi Prambanan ke museum wayang, depth interview hasil eksplorasi visual (desain karakter, desain instalasi dan desain mural) kepada ahli wayang, ahli mural/graffiti artist dan kepada UNIMA Indonesia selaku stakeholder perancangan. Pengumpulan data sekunder menggunakan data yang didapat dari studi literatur mengenai kisah pewayangan Hanoman Obong serta visualisasi lakon. Media luaran dari perancangan ini adalah desain lingkungan pop-up mural installation Hanoman Obong yang interaktif untuk World Puppet Festival 2020. Pada perancangan ini di dalamnya juga terdapat kegiatan dan cerita. Ada dua alur yang diangkat dalam mural, yaitu mulai dari percintaan Rama dan Shinta dan yang kedua Hanoman dari Kiskenda. Kedua alur ini akan bertemu di area Alengka sebagai puncak cerita. Empat tokoh utama dalam Hanoman Obong diantaranya Hanoman, Rama, Shinta, dan Rahwana (Dasamuka) serta beberapa tokoh figuran seperti Subali, Sugriwa dan Trijata. Guide booklet area Forest dan Kiskenda dirancang untuk memandu pengunjung melakukan interaksi agar memberikan experience dan diharapkan dapat mengenali sudut pandang lain lakon Hanoman Obong. Sebagai kebutuhan percancangan ini juga dirancang identitas visual beserta merchandise berupa patch dan juga sticker pack.
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Indonesia hosted the 23rd UNIMA Congress World Puppet Festival which was held in Gianyar, Bali, in April 2020. Indonesia presented the diversity of Indonesian puppets in the festival, one of which was Wayang Golek. The play of Dasamuka and Hanoman Obong is a puppet play with one perspective from the Ramayana story that is rarely raised. The host needs contemporary media in a series of events to introduce the diversity of Indonesian puppets to interact with visitors. The designer saw the potential of the media to introduce Hanoman Obong to the end of the festival. In this design, information that is considered in determining the design strategy is explored through qualitative research methods. Qualitative methods used include observation of Prambanan Temple relief replicas in the puppet museum, depth interviews of visual exploration results (character design, installation design and mural design) to wayang experts, mural / graffiti artist experts and to UNIMA Indonesia as the design stakeholder. Secondary data collection uses data obtained from literature studies on the story of the Hanoman Obong puppet and visualization of the play. The external media of this design is the interactive design of the Hanoman Obong mural installation pop-up environment for the World Puppet Festival 2020. In this design there are also activities and stories. There are two lines that are raised in the mural, which starts from the romance of Rama and Shinta and the second is Hanoman from Kiskenda. These two plots will meet in the Alengka area as the highlight of the story. The four main figures in Hanoman Obong are Hanoman, Rama, Shinta, and Rahwana (Dasamuka) as well as several extras such as Subali, Sugriwa and Trijata. The Forest and Kiskenda area booklets are designed to guide visitors to interact in order to provide experience and are expected to be able to recognize other points of view of the play Hanoman Obong. As a design requirement, visual identity and merchandise in the form of patches and sticker packs are also designed.
| Item Type: | Thesis (Other) |
|---|---|
| Additional Information: | RSDP 398.095 982 Sub p-1 |
| Uncontrolled Keywords: | Pewayangan, Ramayana, Hanoman Obong, Mural, Interaktif |
| Subjects: | N Fine Arts > NC Drawing Design Illustration N Fine Arts > NK Decorative arts Applied arts Decoration and ornament N Fine Arts > NK Decorative arts Applied arts Decoration and ornament > NK2115 Interior decoration |
| Divisions: | Faculty of Creative Design and Digital Business (CREABIZ) > Visual Communication Design > 90241-(S1) Undergraduate Thesis |
| Depositing User: | Julia Intan Pusphita Subagyo |
| Date Deposited: | 19 Mar 2025 03:01 |
| Last Modified: | 19 Mar 2025 03:01 |
| URI: | http://repository.its.ac.id/id/eprint/74755 |
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