Kajian Makna Simbolik Ornamentasi Di Pendopo Puro Mangkunegaran Surakarta

Sari, Nayua (2025) Kajian Makna Simbolik Ornamentasi Di Pendopo Puro Mangkunegaran Surakarta. Masters thesis, Institut Teknologi Sepuluh Nopember.

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Abstract

Penelitian ini bertujuan untuk mengkaji makna simbolik ornamentasi pada bangunan bersejarah Puro Mangkunegaran Surakarta, dengan fokus pada Pendopo sebagai ruang yang merepresentasikan nilai-nilai budaya Jawa, khususnya budaya Surakarta. Ornamentasi tidak hanya berfungsi sebagai elemen estetis, tetapi juga sebagai sistem tanda visual yang mengandung nilai filosofis, simbolik, dan ideologis. Pendekatan semiotika Roland Barthes digunakan dalam penelitian ini dengan analisis denotasi, konotasi, dan mitos.
Pendopo dipilih sebagai objek penelitian karena letaknya yang strategis di pusat kompleks Mangkunegaran dan memiliki nilai historis serta arsitektural tinggi. Penelitian ini menggunakan metode deskriptif kualitatif, dengan teknik pengumpulan data melalui wawancara mendalam terhadap tokoh budaya, observasi langsung terhadap ornamen, dan dokumentasi visual. Analisis dilakukan secara interpretatif untuk menafsirkan hubungan antara bentuk ornamen (signifier) dan makna budaya yang dikandungnya (signified).
Hasil penelitian menunjukkan bahwa motif Kumudawati, simbol pasaran Jawa, warna paré anom, dan senjata memiliki makna simbolik yang kompleks. Ornamentasi ini mencerminkan konsep kosmos, spiritualitas, identitas, dan kewibawaan pemimpin. Dengan demikian, ornamen Pendopo tidak hanya memperkaya visual ruang, tetapi juga menjadi media pelestarian dan representasi budaya Jawa secara berkelanjutan.
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This research aims to examine the symbolic meaning of ornamentation on the historical buildings of Puro Mangkunegaran Surakarta, focusing on the Pendopo as a space that represents Javanese cultural values, particularly those of Surakarta. Ornamentation serves not only as an aesthetic element but also as a visual sign system containing philosophical, symbolic, and ideological values. Roland Barthes' semiotic approach, with analysis of denotation, connotation, and myth, is employed in this study.
The Pendopo was chosen as the object of research due to its strategic location at the center of the Mangkunegaran complex and its high historical and architectural value. This research utilizes a qualitative descriptive method, with data collection techniques including in-depth interviews with cultural figures, direct observation of ornaments, and visual documentation. The analysis is interpretative, aiming to translate the relationship between the form of the ornament (signifier) and its embedded cultural meaning (signified).
The findings indicate that motifs such as Kumudawati, symbols Javanese pasaran (market days), paré anom colors, and weapons possess complex symbolic meanings. This ornamentation reflects concepts of cosmos, spirituality, identity, and the authority of leaders. Thus, the Pendopo's ornaments not only enrich the visual space but also serve as a medium for the preservation and ongoing representation of Javanese culture.

Item Type:	Thesis (Masters)
Uncontrolled Keywords:	Puro Mangkunegaran, Semiotika, Identitas Budaya, Semiotic, Culture
Subjects:	N Fine Arts > NA Architecture > NA6695 Art museums and galleries N Fine Arts > NK Decorative arts Applied arts Decoration and ornament
Divisions:	Faculty of Creative Design and Digital Business (CREABIZ) > Interior Design > 90021-(S2) Master Thesis
Depositing User:	Nayua Sari
Date Deposited:	29 Jul 2025 02:21
Last Modified:	29 Jul 2025 02:21
URI:	http://repository.its.ac.id/id/eprint/122457

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