Narasi Luka dalam Ruang Eksperiensial: Perancangan Museum Perempuan Berbasis Arsitektur Traumatis

Utami, Farah Widya (2026) Narasi Luka dalam Ruang Eksperiensial: Perancangan Museum Perempuan Berbasis Arsitektur Traumatis. Masters thesis, Institut Teknologi Sepuluh Nopember.

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Abstract

Di suatu lingkungan binaan, stimulus negatif yang diterima manusia memengaruhi bagaimana manusia mempersepsikan elemen lingkungan. Teori traumatic architecture mendudukkan arsitektur tidak hanya sebagai pengalaman ruang visual, tetapi juga sebagai hubungan kompleks berbagai indra manusia terhadap memori traumatis. Tesis perancangan ini bertujuan mengajukan konsep desain skematik Museum Perempuan berbasis narasi traumatis yang menghadirkan kembali pengalaman traumatis sebagai media pembelajaran dan refleksi untuk membangun kesadaran sosial bagi sekitar. Tesis perancangan ini berangkat dari cara berpikir deduktif dalam kerangka kerja berbasis pengajuan hipotesis sebagai ide besar “arsitektur sebagai ruang hidup yang dapat menyimpan narasi luka”. Untuk menggali prinsip traumatic architecture lebih spesifik ke konteks perempuan, dilakukan penelitian kualitatif. Penelitian melibatkan tiga partisipan perempuan dan satu psikologi klinis untuk mendapatkan data melalui kuesioner terbuka, wawancara mendalam dan mental sketch mapping. Pengolahan data menggunakan teknik koding dan dianalisis secara triangulasi didukung kajian teori/hasil penelitian terdahulu dan preseden untuk merumuskan prinsip dan kriteria perancangan. Hasil riset berupa pengalaman traumatis perempuan diformulasikan menjadi urutan peristiwa dengan metode narrative architecture. Narasi tersebut kemudian membentuk transformasi spasial berupa empat fase pengalaman ruang yaitu approach, exposure, confinement, dan pause dengan menghadirkan intensitas stimulus sensoris. Untuk membentuk kualitas spasial, elemen visual berupa pencahayaan gelap-terang, warna kontras, material kasar, skala bervariatif, kontrol sirkulasi terkait navigasi, bau, serta suara membangun pengalaman traumatis. Dari hasil transformasi perancangan spasial, iterasi perancangan formal menghasilkan bentuk dan ekspresi arsitektur melalui penyusunan dinding, bukaan, material, warna, skala, dan proporsi untuk mengekspresikan memori traumatis yang kerap tersembunyi. Konseptual formal dan spasial tersebut disusun menjadi satu hingga menghasilkan rancangan skematik Museum Perempuan Berbasis Arsitektur Traumatis sebagai pembelajaran dan membangun kesadaran sosial bagi sekitar.
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In a built environment, negative stimuli are received by humans and influence how they perceive environmental elements. The theory of traumatic architecture positions architecture not only as a visual spatial experience, but also as a complex interplay of the human senses with traumatic memories. This design thesis aims to propose a schematic design concept for a Women’s Museum based on traumatic narratives, which reimagines traumatic experiences as a medium for learning and reflection to foster social awareness within the surrounding community. This design thesis is grounded in deductive thinking approach within a hypothesis driven framework, centered on the overarching idea that “architecture is a living space capable of preserving narratives of trauma”. To explore the principles of traumatic architecture more specifically within the context of women, qualitative research was conducted. The research involved three female participants and one clinical psychologist to gather data through open-ended questionnaires, in-depth interviews, and mental sketch mapping. Data processing utilized coding techniques and was analysed through triangulation, supported by theoretical reviews, previous research findings, and precedents to formulate design principles and criteria. The research findings which focus on women’s traumatic experiences arranged into a sequence of events using the narrative architecture method. These narratives then shaped a spatial transformation comprising four phases of spatial experience: approach, exposure, confinement, and pause by introducing varying intensities of sensory stimuli. To establish spatial qualities, visual elements such as light-dark lighting, contrasting colours, rough materials, varying scales, circulation control related to navigation, scent, and sound collectively construct the traumatic experience. Through the spatial design transformation, formal design iterations produce architectural forms and expressions by arranging walls, openings, materials, colours, scales, and proportions to convey the often-hidden traumatic memories. These formal and spatial concepts are integrated into a unified whole, resulting in a schematic design for the Museum of Women Based on Traumatic Architecture as a space for learning and fostering social awareness within the surrounding community.

Item Type:	Thesis (Masters)
Uncontrolled Keywords:	memori traumatis, museum, neuroarsitektur, perempuan, stimulus sensoris, traumatic memories, museum, neuroarchitecture, women, sensory stimulus
Subjects:	N Fine Arts > NA Architecture N Fine Arts > NA Architecture > NA2750 Architectural design. N Fine Arts > NA Architecture > NA6695 Art museums and galleries
Divisions:	Faculty of Civil, Planning, and Geo Engineering (CIVPLAN) > Architecture > 23101-(S2) Master Thesis
Depositing User:	Farah Widya Utami
Date Deposited:	04 Aug 2026 03:29
Last Modified:	04 Aug 2026 03:29
URI:	http://repository.its.ac.id/id/eprint/143000

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