Paradox Architecture : Respons Persepsi Manusia terhadap Ruang dalam Bangunan

Azzahra, Fauziah (2026) Paradox Architecture : Respons Persepsi Manusia terhadap Ruang dalam Bangunan. Other thesis, Institut Teknologi Sepuluh Nopember.

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Abstract

Arsitektur pada hakikatnya berada di antara logika dan pengalaman, antara bentuk yang terukur dan persepsi yang tidak pasti. Ruang yang dirancang secara rasional sering kali tidak sepenuhnya sejalan dengan cara manusia mengalaminya secara emosional maupun kognitif. Fenomena inilah yang menjadi dasar gagasan *Paradox Architecture*, yaitu pendekatan yang tidak menolak kontradiksi antara bentuk dan makna, melainkan memanfaatkannya sebagai potensi kreatif dalam proses perancangan. Studi ini bertujuan mengeksplorasi bagaimana paradoks dan persepsi ruang dapat diintegrasikan melalui strategi desain yang reflektif dan eksperimental. Pendekatan penelitian bersifat kualitatif-konseptual dengan menggunakan *concept-based framework* sebagai kerangka berpikir dan metode *morphing* sebagai strategi desain utama. Metode *morphing* memungkinkan terjadinya transformasi bertahap antara dua kondisi spasial yang berlawanan sehingga menghasilkan ruang-ruang *in-between* yang ambigu, dinamis, dan terbuka terhadap berbagai interpretasi. Proses desain dilakukan melalui tiga tahapan utama, yaitu pengumpulan data konseptual dan studi preseden, eksperimen formal melalui transformasi bentuk, serta evaluasi perseptual terhadap hasil desain. Objek perancangan berupa museum seni di Kota Baru Parahyangan dipilih sebagai media eksplorasi untuk mewujudkan gagasan paradoks dalam bentuk arsitektur yang mampu memicu refleksi dan pengalaman ruang yang berlapis. Hasil yang diharapkan bukan sekadar bentuk bangunan, melainkan representasi spasial dari dialektika anti-logika serta bagaimana arsitektur dapat menjadi wadah interpretasi yang terbuka.
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Architecture exists at the intersection of logic and experience, between measurable form and uncertain perception. Rationally designed spaces often do not fully correspond to the way humans experience them emotionally and cognitively. This phenomenon forms the foundation of *Paradox Architecture*, an approach that embraces rather than rejects the contradiction between form and meaning, treating it as a source of creative potential in the design process. This study aims to explore how paradox and spatial perception can be integrated through reflective and experimental design strategies. A qualitative-conceptual approach is employed using a *concept-based framework* as the theoretical foundation and the *morphing* method as the primary design strategy. The *morphing* method enables gradual transformations between opposing spatial conditions, producing *in-between* spaces that are ambiguous, dynamic, and open to multiple interpretations. The design process consists of three main stages: conceptual and precedent data collection, formal experimentation through shape transformation, and perceptual evaluation of the resulting design. An art museum in Kota Baru Parahyangan was selected as the design object to serve as a medium for exploring paradoxical ideas in architectural form capable of evoking layered spatial experiences and critical reflection. The expected outcome is not merely a building form, but a spatial representation of anti-logical dialectics that demonstrates how architecture can function as an open medium for interpretation.

Item Type:	Thesis (Other)
Uncontrolled Keywords:	Anti-logic, In-between Space, Paradox Architecture, Persepsi Ruang,Anti-logic, In-between Space, Paradox Architecture, Space Perception.
Subjects:	N Fine Arts > NA Architecture > NA6695 Art museums and galleries
Divisions:	Faculty of Civil, Planning, and Geo Engineering (CIVPLAN) > Architecture > 23201-(S1) Undergraduate Thesis
Depositing User:	Azzahra Fauziah
Date Deposited:	04 Aug 2026 06:24
Last Modified:	04 Aug 2026 06:24
URI:	http://repository.its.ac.id/id/eprint/143205

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